How the music industry is improving mental health support for artists of colour
Big Dada Editorial
Room to be you: Safe spaces for LGBTQ+ artists
M Magazine
A year since Blackout Tuesday, has equality in music improved?
Guardian
Solange taught me that Black female rage can be used in the fight for freedom
The Independent
‘Don’t bite the hand’ – how Solange faced the microaggressions of 2010s indie
gal-dem
The Whiteness Of Indie Rock: An Extract From Why Solange Matters
The Quietus
Tina Turner and the music industry’s obsession with survival stories
New Statesman
Making Ma Rainey
New Statesman
‘If our band was fronted by a white girl people would instantly get it’: How the UK fails Black indie musicians
The Independent
‘If Ray BLK did disco she would have been instantly relegated to Radio 2: In search of the Black disco queen
The Independent
The secret life of mice
Time Out
Girls Rock Camp Alliance: Raising the Next Generation of Activists
She Shreds
Only Noise: On Loving The Beatles As a Black Woman
AudioFemme
Wire Playlist: Stephanie Phillips
The Wire
Exploring mixed race identity in CGI influencers
Dazed Beauty
Is the “fenty effect” in the beauty industry a trend or real progress?
i-D
All the places musicians move to when London gets too expensive
Noisey
Girl gangs and the “do-it-together” attitude in the DIY punk scene
Alternative Press
Myth, the supernatural and black female storytelling in three 1990s classics
BFI
10 great documentaries about musicians
BFI
Beyonce vs Daughters of the Dust: How an American indie classic inspired Lemonade
BFI
Black outlook: why the marginalised need sci-fi more than ever
BFI
Twenty years or more from stardom
Media Diversified
Growing up as an alternative black girl
Black Ballad
The bands taking British punk back to its multicultural roots
Noisey
Are all male bands who use female names alienating women in music?
Getintothis
Crooked Grrls
One Beat Zine
How do women of colour find a place in the punk scene
Steph Phillips
Singing and self-recovery
The F-Word
Stephanie Phillips 