Articles

Room to be you: Safe spaces for LGBTQ+ artists
M Magazine

A year since Blackout Tuesday, has equality in music improved?
Guardian

Solange taught me that Black female rage can be used in the fight for freedom
The Independent

‘Don’t bite the hand’ – how Solange faced the microaggressions of 2010s indie
gal-dem

The Whiteness Of Indie Rock: An Extract From Why Solange Matters
The Quietus

Tina Turner and the music industry’s obsession with survival stories
New Statesman

Making Ma Rainey
New Statesman

‘If our band was fronted by a white girl people would instantly get it’: How the UK fails Black indie musicians
The Independent

‘If Ray BLK did disco she would have been instantly relegated to Radio 2: In search of the Black disco queen
The Independent

The secret life of mice
Time Out

Girls Rock Camp Alliance: Raising the Next Generation of Activists
She Shreds

Only Noise: On Loving The Beatles As a Black Woman
AudioFemme

Wire Playlist: Stephanie Phillips
The Wire

Exploring mixed race identity in CGI influencers
Dazed Beauty

Is the “fenty effect” in the beauty industry a trend or real progress?
i-D

All the places musicians move to when London gets too expensive
Noisey

Girl gangs and the “do-it-together” attitude in the DIY punk scene
Alternative Press

Myth, the supernatural and black female storytelling in three 1990s classics
BFI

10 great documentaries about musicians
BFI

Beyonce vs Daughters of the Dust: How an American indie classic inspired Lemonade
BFI

Black outlook: why the marginalised need sci-fi more than ever
BFI

Twenty years or more from stardom
Media Diversified

Growing up as an alternative black girl
Black Ballad

The bands taking British punk back to its multicultural roots
Noisey

Are all male bands who use female names alienating women in music?
Getintothis

Crooked Grrls
One Beat Zine

How do women of colour find a place in the punk scene
Steph Phillips

Singing and self-recovery
The F-Word