Stephanie Phillips is a London-based freelance journalist and content writer, specialising in music, race and feminism.
With the likes of Single Mothers, Black Girls and Asian Babes using gendered terms to mask their masculinity, Stephanie Phillips investigates the effect it is having on women in music.
There’s an unspoken problem that all male bands face; how to stand out from the billion and one other all male bands. When you think about it can you really tell one bunch of sad looking guys in a shoegaze band from another? Aren’t Alt-J just Foals with a different haircut? Why do Thom Yorke and Chris Martin have the same interchangeably dull looking face?
Let’s face it, men are dry and said dryness has led to a trend amongst the more progressive end of indie and punk that involves finding new ways to be more than just ‘white men’. Some bands seek out female members to make them look diverse, some try on a different culture or style; blending in a half-arsed attempt at bhangra after a particularly enthralling trip to India. There are many ways to not come across as too stale, male and pale while still enjoying the benefits of said maleness and paleness.
Recently, all male bands have solved this problem by feminising their band names. Each year, music fans have the unenviable job of deciphering the reasons bands chose name such as Single Mothers, Black Girls andAsian Babes (Asian Babes actually do have one female member but we included them because it’s still such an awful name).
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