Stephanie Phillips is a London-based freelance journalist and content writer, specialising in music, race and feminism.
When director Julie Dash created the groundbreaking Daughters of the Dust (1991), a multigenerational tale of black women from the Gullah sea islands struggling to hold on to their culture, little did she know that 25 years later her work would be held up on the world stage thanks to one of the music industry’s most influential artists: Beyoncé.
The singer’s breathtakingly lush visual album, Lemonade (2016), tackled issues of black womanhood, southern traditions, race and female rage. Although Lemonade was the artist’s second visual album, it stands out as the first time the artist seems to have created music to soundtrack a standalone film. Given the subject matter and the detail paid to the cinematography, Dash’s film provided an obvious touchstone to inspire Beyoncé’s vision.
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